{"id":58,"date":"2011-02-02T22:05:58","date_gmt":"2011-02-02T22:05:58","guid":{"rendered":"http:\/\/www.elisethompson.com\/?page_id=58"},"modified":"2026-06-02T13:50:58","modified_gmt":"2026-06-02T13:50:58","slug":"cv","status":"publish","type":"page","link":"https:\/\/www.elisethompson.com\/?page_id=58","title":{"rendered":"Contact\/CV"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Contact:<\/strong> thompsonetc [at] gmail [dot] com<\/p>\n\n\n\n<div id=\"mc_embed_signup\"><form id=\"mc-embedded-subscribe-form\" class=\"validate\" action=\"https:\/\/elisethompson.us12.list-manage.com\/subscribe\/post?u=df88c2bfdd179a26ed07f68e3&amp;id=27db8f5658\" method=\"post\" name=\"mc-embedded-subscribe-form\" novalidate=\"\" target=\"_blank\">\n<div id=\"mc_embed_signup_scroll\">\n<h2>Stay up to date with me:<\/h2>\n<div class=\"indicates-required\"><span class=\"asterisk\">*<\/span> indicates required<\/div>\n<div>&nbsp;<\/div>\n<div class=\"mc-field-group\"><label for=\"mce-EMAIL\">Email Address &nbsp;<span class=\"asterisk\">*<\/span><\/label><br><input id=\"mce-EMAIL\" class=\"required email\" name=\"EMAIL\" type=\"email\" value=\"\">&nbsp;&nbsp;\n<div style=\"position: relative !important; height: 0px !important; width: 0px !important; float: left !important;\" data-lastpass-icon-root=\"true\">&nbsp;<\/div>\n<div style=\"position: relative !important; height: 0px !important; width: 0px !important; float: left !important;\" data-lastpass-icon-root=\"true\">&nbsp;<\/div>\n<div style=\"position: relative !important; height: 0px !important; width: 0px !important; float: left !important;\" data-lastpass-icon-root=\"true\">&nbsp;<\/div>\n<div style=\"position: relative !important; height: 0px !important; width: 0px !important; float: left !important;\" data-lastpass-icon-root=\"true\">&nbsp;<\/div>\n<div style=\"position: relative !important; height: 0px !important; width: 0px !important; float: left !important;\" data-lastpass-icon-root=\"true\">&nbsp;<\/div>\n<div style=\"position: relative !important; height: 0px !important; width: 0px !important; float: left !important;\" data-lastpass-icon-root=\"true\">&nbsp;<\/div>\n<div style=\"position: relative !important; height: 0px !important; width: 0px !important; float: left !important;\" data-lastpass-icon-root=\"true\">&nbsp;<\/div>\n<div style=\"position: relative !important; height: 0px !important; width: 0px !important; float: left !important;\" data-lastpass-icon-root=\"true\">&nbsp;<\/div>\n<div style=\"position: relative !important; height: 0px !important; width: 0px !important; float: left !important;\" data-lastpass-icon-root=\"true\">&nbsp;<\/div>\n<div style=\"position: relative !important; height: 0px !important; width: 0px !important; float: left !important;\" data-lastpass-icon-root=\"true\">&nbsp;<\/div>\n<\/div>\n<div class=\"mc-field-group\"><label for=\"mce-FNAME\">First Name <\/label><br><input id=\"mce-FNAME\" class=\"\" name=\"FNAME\" type=\"text\" value=\"\"><\/div>\n<div class=\"mc-field-group\"><label for=\"mce-LNAME\">Last Name <\/label><br><input id=\"mce-LNAME\" class=\"\" name=\"LNAME\" type=\"text\" value=\"\"><\/div>\n<div id=\"mce-responses\" class=\"clear\">\n<div id=\"mce-error-response\" class=\"response\" style=\"display: none;\">&nbsp;<\/div>\n<div id=\"mce-success-response\" class=\"response\" style=\"display: none;\">&nbsp;<\/div>\n<\/div>\n<p><!-- real people should not fill this in and expect good things - do not remove this or risk form bot signups--><\/p>\n<div style=\"position: absolute; left: -5000px;\" aria-hidden=\"true\"><input tabindex=\"-1\" name=\"b_df88c2bfdd179a26ed07f68e3_27db8f5658\" type=\"text\" value=\"\"><\/div>\n<div class=\"clear\"><input id=\"mc-embedded-subscribe\" class=\"button\" name=\"subscribe\" type=\"submit\" value=\"Subscribe\"><\/div>\n<\/div>\n<\/form><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-large-font-size wp-block-paragraph\"><strong><em>EDUCATION<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Florida State University<\/strong> Master of Fine Arts, Interdisciplinary Art, Tallahassee, FL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2010<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Northern Kentucky University<\/strong>, Bachelor of Fine Arts: Painting, Highland Heights, KY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2009<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>KIIS Study Abroad via Murray State University<\/strong>, Advanced Photography, Professor Barry Andersen, Jean Monnet FIAP, Paris, France<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-large-font-size wp-block-paragraph\"><b><i>AW<\/i><\/b><b><i>ARDS AND RESIDENCIES<\/i><\/b><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bunker Projects Residency<\/strong> (October-November), Pittsburgh, PA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MyMA Artist Grant<\/strong> (finalist), juried by Andrew Rafacz, New York, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>DNA Artist Residency <\/b>(October), Provincetown, MA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ChaNorth<\/strong> (August), Pine Plains, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Innovate Grant<\/strong>, Honorable Mention<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>DNA Artist Residency <\/b>(July), Provincetown, MA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Stay Home Gallery and Residency<\/b> (January), Paris, TN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>DNA Artist Residency <\/b>(September), Provincetown, MA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>The Maple Terrace Artist Residency Program <\/b>(Inaugural AiR October-December), Brooklyn, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>The Wassaic Project Artist Residency<\/b> (June), Wassaic, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Vermont Studio Center, with artist grant, <\/b>(July), Johnson, VT<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>International Sculpture Center Student Award Nominee<\/b><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Mary Ola Reynolds Miller Endowed Graduate Scholarship in Visual Arts<\/b>, FSU<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Boom Gallery Fellowship <\/b>(June), Cincinnati, OH<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>FSU Exceptional Opportunity Award<\/b>, FSU<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Andy McLaughlin Memorial<\/b><b> <\/b><b>Endowment<\/b>, FSU<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-large-font-size wp-block-paragraph\"><b><i>SOLO + TWO-PERSON EXHIBITIONS<\/i><\/b><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Terraform: works by Lucia Riffel and Elise Thompson<\/strong>, Phaze 2 Gallery at Shepherd University, Shepherdstown, WV<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Practical Magic: Yael Ben-Simon and Elise Thompson<\/b>, curated by Sammy Bennett, Bob\u2019s Gallery, Brooklyn, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FIND \/ FUSE with Stephan\u00e9 Edith Conradie and Elise Thompson<\/strong>, co-curated Ma\u00eblle Ebelle and Francesca Pessarelli, Ceysson &amp; B\u00e9n\u00e9ti\u00e8re, New York, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Layered: works by Elise Thompson and Rachel Gisela Cohen<\/strong>, curated by Hayley Ferber, The Yard, Brooklyn, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Fun Baggage: Brittany Ham and Elise Thompson<\/b>, Mantle Art Space, San Antonio, TX<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span class=\"s1\"><b>Below Ground\/Above Ground<\/b>, Also Gallery, Online<\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Chunk: Scott Bell and Elise Thompson<\/b>, 500 X Gallery, Dallas, TX<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Portal 4<\/b>: <b>Cast Shadows and Feelings<\/b>, SOUP Experimental and Cat Family Records, Tallahassee, FL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Threw It, Through It<\/b>, SOUP Experimental, Tallahassee, FL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Space Between You And Me<\/strong>, Museum of Fine Arts, Florida State University, Tallahassee, FL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Squish Squish Pop Pop: Paintings by Scott Bell &amp; Elise Thompson<\/b>, Oglesby Gallery, Tallahassee, FL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Amiable Strangers: Paintings by Elise Thompson &amp; Nathan Weikert<\/b>, Boom Gallery, Cincinnati, OH<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-large-font-size wp-block-paragraph\"><b><i>SELECTED GROUP<\/i><\/b><b><i> <\/i><\/b><b><i>EXHIBITIONS<\/i><\/b><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Multiple Fiefdoms<\/strong>, curated by Rochelle Voyles, 81 Leonard Gallery, New York, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Volley<\/strong>, curated by Joshua Edward Bennett, Tinney Contemporary x Whitespace, Atlanta, GA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>In Mutual Light: Brandon Dalmer, Elisabeth Picard,<\/strong> <strong>and<\/strong> <strong>Elise Thompson<\/strong>, TIAN Contemporain,&nbsp; Montr\u00e9al, QC&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Viewing Room<\/strong>, Kristen Lorello, New York, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Spectrum<\/strong>, curated by Kristen Lorello and Christopher Saunders, Kristen Lorello, New York, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Let&#8217;s Go Swimming<\/strong>, curated by Joshua Edward Bennett, Tinney Contemporary, Nashville<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A Tuning Fork, She\u2019s Looking Out<\/strong>, curated by Ash Fritzsche, Information Space, Philadelphia, PA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>No Walls Between Us<\/strong>, Second Ave. Arts, New York, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Monsters<\/strong>, curated by Anna Berghuis, MyMA, <a href=\"https:\/\/www.myma.art\/exhibition\/monsters\">Online<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>In Quiet Motion<\/strong>, curated by Karina Argudo, Helm Contemporary, New York, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>RECRAFT: Substrate\/Structure<\/strong>, curated by Chase Dougherty and Kasia Bunofsky, Delaware Contemporary, Wilmington, DE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Less is a Bore<\/strong>, Blah Blah Gallery, curated by Megan Galardi, Philadelphia, PA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Currents<\/strong>, curated by Alex Feim, Morris Adjmi Architects, New York, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Time and Beauty<\/strong>, curated by Peter Fulop, Chashama at 340 E 64th St, New York, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Mirage, Oasis<\/b>, curated by Lauren Walkiewicz + Dan Fig, SPRING\/BREAK Art Show, New York, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>TechTerra<\/b>, curated by Meghan Doherty, SPRING\/BREAK Art Show, New York, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A Peek Behind The Curtain<\/strong>, co-curated by Weihui Lu and Sammy Bennett, Bob&#8217;s Gallery, Brooklyn, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Southern Abstraction<\/strong>, Florida Mining Gallery, Jacksonville, FL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Crimson Tide,<\/b> curated by Brent Hayden and Sarah Choe, Soft Times Gallery, San Fransisco, CA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Ctrl [Alt] Self<\/b>, curated by Allison Westerfield, Westobou Gallery, Augusta, GA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Echoes of the Ancient<\/strong>, curated by Jacki Davis, Jolene Dosa, and Ambrus Gero, 56 Bogart Ste. 122, Brooklyn, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>A Fluid and Emphatic Now<\/b>, curated by Joshua Edward Bennett, Tinney Contemporary at Bobby Hotel, Nashville, TN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Collar Works\u2019 Flat File<\/strong> 2021-&#8217;22, curated by Kate Mothes, Collar Works, Troy, NY, <a href=\"http:\/\/collarworks.org\/flat-files-2021\/elise-thompson-\">Online<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Moody<\/b>, curated by Deanna Evans Projects, Studio Archive Project, <a href=\"https:\/\/studioarchiveproject.com\/collections\/moody\"><span class=\"s1\">Online<\/span><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Waiting Room<\/b>, curated by Allison Westerfield, Laundromat Art Space, Miami, FL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>IN THE WAKE OF SLUMBER<\/b>, juried by Natalia Nakazawa, Paradice Palase, Brooklyn, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Mythopoeia<\/b>, curated by Nathan Mullins, 621 Gallery, Tallahassee, FL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Shapeshifters<\/strong>, Terrain Gallery, curated by Joe Hedges (online during COVID-19), Spokane, WA, <a href=\"https:\/\/www.dropbox.com\/s\/p3mobu16k0e1htt\/Terrain%20Gallery%20%E2%80%94%20Terrain2.pdf?dl=0\">Online<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>home:body<\/strong>, curated by Shayna Cohn, Distance Gallery, Online<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Living Easy, Where The Sun Doesn&#8217;t Shine<\/strong>, curated by Bret Shirley, BS Projects, Houston, TX<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ad Astra Per Aspera<\/strong>, curated by Will Hutnick, The Wassaic Project: Maxon Mills, Wassaic, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Soft Science<\/b>, curated by Chelsea Raflo, Abrams Claghorn Gallery, Albany, CA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Traditions: Compounded<\/b>, Spartanburg Art Museum, Spartanburg, SC<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Alternate Dimensions, <\/b>Miller Gallery, Charleston, SC<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b>Salad Days<\/b>, curated by Kate Mothes, Online<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Excavations; Shindig<\/strong>, curated by Saralene Tapley, Mantle Art Space, San Antonio, TX&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>F.P.O.V. (Female POV)<\/strong>, curated by Carlos E. Kempff Seleme, MOTT NYC, Manhattan, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Annual Faculty Exhibition<\/strong>, Museum of Fine Art, Florida State University, Tallahassee, FL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Wassaic Project Open Studios<\/strong>, The Wassaic Project, Wassaic, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Utopia\/Dystopia<\/strong>, Gallery 2, Washington State University, Pullman, WA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Figure: Interpreted Through Contemporary Mediums<\/strong>, Site:Brooklyn, Brooklyn, NY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fresh American Art<\/strong>, ArtMe Today, St. Petersburg, Russia<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Big Reveal<\/strong>, The Art Academy, Cincinnati, OH<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Concrete Acquaintance<\/strong>, Thomas Deans Fine Art, Atlanta, GA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Built<\/strong>, Working Method Contemporary, Tallahassee, FL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>10&#215;10<\/strong>, Boom Gallery, Cincinnati, OH<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Shift<\/strong>, Thomas Deans Fine Art, Atlanta, GA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>MAGENTA Show<\/strong>, Modern Makers at Niehoff Urban Studio, Cincinnati, OH<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2013<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Material Witness<\/strong>, curated by Women\u2019s Caucus for Art of Georgia, Dalton Gallery of Agnes Scott College, Decatur, GA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Unsettled Bodies<\/strong>, curated by Edna Dapo<strong>, <\/strong>Phoenix Center For The Arts, Phoenix, AZ<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The History of the Universe Part One: In the Beginning<\/strong>, curated by Chris Reeves, Museum Gallery\/Gallery Museum, Cincinnati, OH<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bluegrass Biennial<\/strong>, juried by Becky Alley, Claypool-Young Art Gallery, Morehead State University, Morehead, KY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>More is More<\/strong>, juried by&nbsp;Melissa Vandenberg, Lexington Art League\u2019s Loudoun House, Lexington, KY&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-large-font-size wp-block-paragraph\"><strong><em>BIBLIOGRAPHY<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/bunkerprojects.org\/the-bunker-questionnaire-elise-thompson\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Bunker Questionnaire: Elise Thompson<\/a><\/strong>, Bunker Review, Feb. 12, 2026 <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Morgan, Joseph E., <a href=\"https:\/\/www.musiccityreview.com\/2025\/07\/14\/take-a-dip-in-the-tinney\/\"><strong>Take a Dip in the Tinney<\/strong><\/a>, Music City Review, Jul. 14, 2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2024<br><br><a href=\"https:\/\/www.paradicepalase.com\/features\/2024\/member-interview-elise-thompson-2dkhw\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Interview: Elise Thompson<\/strong><\/a>, Paradice Palase, Aug. 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ackers, Tori, <a href=\"https:\/\/www.theartnewspaper.com\/2023\/09\/07\/quiet-moments-cut-through-the-noise-springbreak-art-show-2023\"><strong>Quiet Moments That Broke Through The Noise at SPRING\/BREAK Art Show<\/strong><\/a>, The Art Newspaper, Sept. 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rivera Amin, Lakshmi, <a href=\"https:\/\/hyperallergic.com\/843167\/the-imperfect-charm-of-spring-break-art-show-2023\/\"><strong>The Imperfect Charm of SPRING\/BREAK Art Show<\/strong><\/a>, Hyperallergic, Sept. 2023<\/p>\n\n\n\n<p class=\"p1 wp-block-paragraph\">Goodman, Jonathan, <a href=\"https:\/\/whitehotmagazine.com\/articles\/ceysson-b-n-ti-re\/5731\"><span class=\"s1\"><b>Stephan\u00e9 E Conradie &amp; Elise Thompson at Ceysson &amp; B\u00e9n\u00e9ti\u00e8re<\/b><\/span><\/a>, Whitehot Magazine of Contemporary Art, Mar. 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022<\/p>\n\n\n\n<p class=\"p1 wp-block-paragraph\"><span class=\"s1\"><a href=\"https:\/\/www.maakemagazine.com\/elise-thompson\"><b>Maake Magazine Issue 14<\/b><\/a><\/span>, curated by Kaveri Raina, Maake Magazine, Oct. 2022<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/innovateartistgrants.org\/interview-elise-thompson-otherworldly-abstract-dioramas\" target=\"_blank\" rel=\"noopener\"><strong>Interview: Elise Thompson&#8217;s Otherworldly Abstract Dioramas<\/strong><\/a><strong>,<\/strong> Innovate Grant, Jan. 2022<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021<\/p>\n\n\n\n<p class=\"p1 wp-block-paragraph\">Nolan, Joe, <a href=\"https:\/\/www.nashvillescene.com\/arts_culture\/visualart\/bobby-and-tinney-contemporary-team-up-for-i-a-fluid-emphatic-now-i\/article_ffda8bca-4b31-11ec-9748-e7c38382acf9.html\"><span class=\"s1\"><b>Bobby and Tinney Contemporary Team Up for&nbsp;A Fluid &amp; Emphatic Now<\/b><\/span><\/a><i>, <\/i>Nashville Scene, Nov. 2021<\/p>\n\n\n\n<p class=\"p1 wp-block-paragraph\">Mullins, Nathan, <a href=\"https:\/\/www.dropbox.com\/s\/nykk8r2dto4v65m\/MYTHOPOEIA.pdf?dl=0\" target=\"_blank\" rel=\"noopener\"><span class=\"s1\"><b>Mythopoeia<\/b><\/span><\/a>, limited ed. book to accompany the exhibition, designed by Drum Machine Productions, Print, Apr. 2021<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020<\/p>\n\n\n\n<p class=\"p1 wp-block-paragraph\"><span class=\"s1\"><a href=\"https:\/\/vast.art\/blogs\/artist-profiles\/elise-thompson-transparency-and-ambiguity\"><b>Artists To Watch | Elise Thompson: Transparency And Ambiguity<\/b><\/a><\/span>, VAST Magazine, Issue 1, Digital and Print, Aug. 2020<\/p>\n\n\n\n<p class=\"p1 wp-block-paragraph\"><a href=\"https:\/\/www.artworkscincinnati.org\/meet-the-women-behind-2020s-new-lines-alleyway-murals\/\"><span class=\"s1\"><b>Meet the Women Behind 2020\u2019s New Lines Alleyway Murals<\/b><\/span><\/a>, ArtWorks Cincinnati, Oct. 2020<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"http:\/\/www.friendoftheartist.com\/blogs\/elise-thompson\" target=\"_blank\" rel=\"noopener\"><b>Friend of the Artist Vol. 8 Interview with Taylor O. Thomas<\/b><\/a>, Print and Digital, US<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hayes, Melissa, <b><i>Alternate Dimensions<\/i>&nbsp;at Miller Gallery presents whimsical creations in an all-female exhibition<\/b>, Charleston City Paper, Feb. 2019&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><b><a href=\"http:\/\/holycitysinner.com\/2018\/12\/18\/miller-gallery-features-fresh-work-and-fresh-faces-in-alternate-dimensions\/?utm_source=Artist+News&amp;utm_campaign=94b898ddc5-EMAIL_CAMPAIGN_2019_01_10_04_28&amp;utm_medium=email&amp;utm_term=0_27db8f5658-94b898ddc5-25027609\">Miller Gallery Features Fresh Work and Faces in \u201cAlternate Dimensions<\/a>\u201d<\/b>. Holy City Sinner, Dec. 2018<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ArtWorks Cincinnati, <b>Transforming Cincinnati: How a Decade of ArtWorks Murals Changed People and Communities Forever<\/b>, Orange Frazer Press, December 2017<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DeBlasio, Victoria, <strong>VICTORIA DEBLASIO on Elise Thompson\u2019s Threw It Through It<\/strong>,<strong>&nbsp;<\/strong><a href=\"https:\/\/docs.wixstatic.com\/ugd\/31616a_ca929bc8947c40de92fc223e1056e481.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">SOUPmedia<\/a>, Apr. 2017<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.newamericanpaintings.com\/artists\/elise-thompson\" target=\"_blank\" rel=\"noopener\"><strong>New American Paintings<\/strong><\/a> #124 South, Juror Emily Stamey, June\/July 2016<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hedges, Joe. <a href=\"http:\/\/boomgallery.us\/?p=299\"><strong>Amiable Strangers: Paintings by Elise Thompson and Nathan Weikert<\/strong><\/a>, Boom Gallery, July 2015<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Seda-Reeder, Maria. <strong>Art: Amiable Strangers: Paintings by Elise Thompson and Nathan Weikert<\/strong>, CityBeat,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">July 22, 2015<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lauw, Haley. <strong>Things That Matter<\/strong>, limited edition lexicon to accompany the work of Haley Lauw<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2013<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Grissom, Harriette. <strong>Review: Irony overshadows angst, humor edges anger in show of women artists at Agnes Scott<\/strong>, Arts ATL, October 17, 2013<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Redder, Maxwell. <strong>Stand-In God<\/strong>, AEQAI Journal of Critical thinking and Review in Contemporary Art,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">July 29, 2012<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Morris, Matt. <strong>Lady Parts<\/strong>, CityBeat, June 2011, p15<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-group alignfull has-background-color\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--40);padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--40);padding-left:var(--wp--preset--spacing--30)\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-container-core-group-is-layout-0462018f wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-group alignwide is-content-justification-space-between is-layout-flex wp-container-core-group-is-layout-b14186be wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group is-layout-flex wp-block-group-is-layout-flex\"><nav class=\"has-small-font-size is-responsive items-justified-left wp-block-navigation is-content-justification-left is-layout-flex wp-container-core-navigation-is-layout-ac8bf23f wp-block-navigation-is-layout-flex\" aria-label=\"Main Site Menu\" \n\t\t data-wp-interactive=\"core\/navigation\" data-wp-context='{\"overlayOpenedBy\":{\"click\":false,\"hover\":false,\"focus\":false},\"type\":\"overlay\",\"roleAttribute\":\"\",\"ariaLabel\":\"Menu\"}'><button aria-haspopup=\"dialog\" aria-label=\"Open menu\" class=\"wp-block-navigation__responsive-container-open\" \n\t\t\t\tdata-wp-on--click=\"actions.openMenuOnClick\"\n\t\t\t\tdata-wp-on--keydown=\"actions.handleMenuKeydown\"\n\t\t\t><svg width=\"24\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" aria-hidden=\"true\" focusable=\"false\"><path d=\"M4 7.5h16v1.5H4z\"><\/path><path d=\"M4 15h16v1.5H4z\"><\/path><\/svg><\/button>\n\t\t\t\t<div class=\"wp-block-navigation__responsive-container\"  id=\"modal-1\" \n\t\t\t\tdata-wp-class--has-modal-open=\"state.isMenuOpen\"\n\t\t\t\tdata-wp-class--is-menu-open=\"state.isMenuOpen\"\n\t\t\t\tdata-wp-watch=\"callbacks.initMenu\"\n\t\t\t\tdata-wp-on--keydown=\"actions.handleMenuKeydown\"\n\t\t\t\tdata-wp-on--focusout=\"actions.handleMenuFocusout\"\n\t\t\t\ttabindex=\"-1\"\n\t\t\t>\n\t\t\t\t\t<div class=\"wp-block-navigation__responsive-close\" tabindex=\"-1\">\n\t\t\t\t\t\t<div class=\"wp-block-navigation__responsive-dialog\" \n\t\t\t\tdata-wp-bind--aria-modal=\"state.ariaModal\"\n\t\t\t\tdata-wp-bind--aria-label=\"state.ariaLabel\"\n\t\t\t\tdata-wp-bind--role=\"state.roleAttribute\"\n\t\t\t>\n\t\t\t\t\t\t\t<button aria-label=\"Close menu\" class=\"wp-block-navigation__responsive-container-close\" \n\t\t\t\tdata-wp-on--click=\"actions.closeMenuOnClick\"\n\t\t\t><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" aria-hidden=\"true\" focusable=\"false\"><path d=\"m13.06 12 6.47-6.47-1.06-1.06L12 10.94 5.53 4.47 4.47 5.53 10.94 12l-6.47 6.47 1.06 1.06L12 13.06l6.47 6.47 1.06-1.06L13.06 12Z\"><\/path><\/svg><\/button>\n\t\t\t\t\t\t\t<div class=\"wp-block-navigation__responsive-container-content\" \n\t\t\t\tdata-wp-watch=\"callbacks.focusFirstElement\"\n\t\t\t id=\"modal-1-content\">\n\t\t\t\t\t\t\t\t<ul class=\"wp-block-navigation__container has-small-font-size is-responsive items-justified-left wp-block-navigation\"><li class=\"wp-block-navigation-item menu-item menu-item-type-post_type menu-item-object-page menu-item-home wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/www.elisethompson.com\/\" title=\"\"><span class=\"wp-block-navigation-item__label\">\u00a9 2026 Elise Thompson<\/span><\/a><\/li><\/ul>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/nav><\/div>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"> Proudly powered by <a href=\"https:\/\/wordpress.org\" rel=\"nofollow\">WordPress<\/a> <\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contact: thompsonetc [at] gmail [dot] com Stay up to date with me: * indicates required &nbsp; Email Address &nbsp;*&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; First Name Last Name &nbsp; &nbsp; EDUCATION 2016 Florida State University Master of Fine Arts, Interdisciplinary Art, Tallahassee, FL 2010 Northern Kentucky University, Bachelor of Fine [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-58","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.elisethompson.com\/index.php?rest_route=\/wp\/v2\/pages\/58","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elisethompson.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.elisethompson.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.elisethompson.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elisethompson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58"}],"version-history":[{"count":101,"href":"https:\/\/www.elisethompson.com\/index.php?rest_route=\/wp\/v2\/pages\/58\/revisions"}],"predecessor-version":[{"id":2783,"href":"https:\/\/www.elisethompson.com\/index.php?rest_route=\/wp\/v2\/pages\/58\/revisions\/2783"}],"wp:attachment":[{"href":"https:\/\/www.elisethompson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}